Twelfth Night (2018): a passion project both fuelled and frustrated by textual fidelity
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Whilst the stripped back, modern-day domesticity of Shanty Productions' Twelfth Night has clearly been influenced by Joss Whedon'...
They Shall Not Grow Old: There has never been a more vivid representation of Ebert's 'empathy machine'
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I am very fond of Roger Ebert's quote about films being empathy machines ( I used it just the other day in fact ). So much so that it...
Widows: the battle between plot and film
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It feels too easy to reduce Widows down to the unusual battle between mainstream writer Gillian Flynn's script and director Steve Mc...
2 comments:
Colette: French sexiness, by British people
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Colette is a pretty and often engaging look at Sidonie-Gabrielle Colette, the French author active mainly during the early 20th Century ...
Watching films with a two-and-a-half year-old (a poem) (yes really)
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I have recently been reading a lot of the poetry of contemporary poet Brian Bilston (discovered via none other than this parish's Ben B...
2 comments:
Journeyman - DVD Review
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'As emotionally punishing and dramatically satisfying as Considine's directorial debut Tyrannosaur' Mark Kermode likes to r...
Macbeth (2018) - Online Review
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'As the camera swoops through rooms, snakes down staircases and soars around the exterior of this impossible environment, the film fee...
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